Among the singles and the filler here, there are also a few great album tracks as well. These four highlights - 'Ha,' 'Back That Azz Up,' and the 'Ha' remixes - break up the album, somewhat concealing the filler.Īnd, yes, there is filler here, as with any Cash Money album, but even it is worthwhile, either because of 's carefully structured rhyming or producer 's seemingly bottomless well of hot beats. Moreover, two remixes of 'Ha' come late on the album, one with, the other with. They're absolutely two of the best songs to come out of the late-'90s Dirty South boom. But nothing prepared anyone for the success of, particularly its two anthemic singles, the tongue-twisting 'Ha' and the booty-calling 'Back That Azz Up.' These two songs alone make noteworthy. Before, Cash Money had been operating relatively well, securing a distribution deal with Universal and broadening its audience with every successive release.
Among the flurry of Cash Money releases during the late '90s, certainly stands out, and not just as 's shining moment but also as the album that forced everyone to suddenly take this Dirty South collective very seriously.
